Fluidic Data is a floor-to-ceiling installation spanning the four levels of the CERN Data Centre stairwell. It utilizes the interplay of water and light to visualize the magnitude and flow of information coming from the four major LHC experiments. The installation consists of an array of transparent hoses that house colored fluid, symbolizing the data of each experiment, surrounded by a collection of diffractive "pods" representing the particles pivotal to each experiment. The organic fusion of art and science engenders a meditative environment, allowing the visitor time for reflection and curiosity.
The Fluidic Data installation is a cross department collaboration that incorporates materials and techniques used in the construction of the LHC and its experiments. The project brings together artists, engineers, science communicators and physicists with a common goal of communicating CERN's research and resources. The success of this collaboration exemplifies the effectiveness of working in diverse teams, both intellectually and culturally, to accomplish unique projects. https://indico.cern.ch/event/773049/contributions/3474847/
(x)trees is a dynamically generating forest of trees created from SMS and Tweets from the audience in real time. It is projected in real time on to buildings and large spaces, exploring our relationship to nature and technology. (x)trees tours around the world creating a participatory experience to raise awareness to ecological topics such as deforestation and climate change. By integrating data mining from SMS and social networks, people participate in the creation of the branches to form a virtual interactive forest of dynamically generating trees. The audience sends a tweet or text message and sees their message appear on the wall with a branch. Archived messages include articles from the Universal Declaration of Rights for Mother Earth and the Outer Space Treaty of 1967. (x)trees programmers: v.1: Jared Tarbell. Original concept and browser-based code written in Flash, v.2: Jeff Milton and Joe Roth, v.3: Alessandro Saccoia. Converted to OpenFrameWorks, v.4: Kamen Dimitrov, v.5: Roy MacDonald
Contact us to bring (x)trees to your festival or community event. Keywords can be customized to the topic or event.
Origination Point is a generative interactive projection installation originally exhibited at the 12th Havana Biennial in Havana, Cuba as part of the collective exhibit Entre, Dentro, Fuera/Between, Inside, Outside and in 2016 at The Harwood Museum, Taos, New Mexico.
As part of Agnes Chavez’s Projecting Particles series and inspired by her Educational Outreach research stay at ATLAS@CERN in Geneva Switzerland, this work explores spacetime, our origins in the universe and how matter was created after the big bang through the newly discovered Higgs field. In Origination Point, Chavez contemplates humanity’s shared subatomic origins in relation to her Cuban-American origins to express that we are more than the physical bodies and socio-cultural identities we construct.
Through a collaboration with artist Marcel Schwittlick, who programmed the code, Origination Point features images of self-generating ‘rocks’ that are transformed in real time exploring the evolution of matter and our wave/particle duality. The images are projected onto a wall of hanging fabric strips creating mesmerizing movements in rhythm with an interactive soundtrack. The interactive composition designed and programmed by sound designer Robert Schirmer includes sounds from NASA’s field recordings of outer space accompanied by terrestrial nature sounds. Through an interactive sensor the visitor moves rocks in and out of a circle on the ground. This process adds layers of water, space and earth sounds designed to shift one’s perception and emotional response to the projected visuals.
Collaborating Team: Artists: Agnes Chavez (artist/concept), Marcel Schwittlick (visual artist/coder), Robert Schirmer (interactive sound). Special thanks to UNM Art Graduate Student assistants in Havana: Abbey Hepner, Christine Posner, Julianne Aguilar, Adrian Pijoan
Origination Point is available for commission as a temporary indoor installation
As founder/director of the STEMarts Lab, Agnes has developed a team of interdisciplinary experts and a partnership with Quarknet and ATLAS Experiment at CERN, home of the Large Hadron Collider to come together as the Projecting Particles Collective. Projecting Particles was founded in 2013 as a youth workshop and projection event that combines particle physics and projection art to deepen our understanding of the universe. Students travel virtually to the ATLAS control center and other science laboratories. They learn first hand about particle physics from an interdisciplinary team of experts through workshops and virtual visits. Students learn about projection art and use Tagtool, an iPad animation app developed by artist Markus Dorninger/OMAI, to express their ideas and share what they have learned at a collaborative live projection event. In 2017 Steve Tamayo and Dr. Greg Cajete joined the team and added the native science unit, Indigenous Cosmology meets Particle Physics. Astrophysicist, Dr. Nicole Lloyd-Ronning joined in 2018 to expand the unit on space exploration and is participating in the new STEAM in Space project. The goal is to create an immersive learning experience where students develop artistic and scientific literacy to understand our place in the universe and become compassionate and active caretakers of the earth.
Projecting Particles Collective: Agnes Chavez, Artist/Project Lead; Markus Dorninger, Artist/Tagtool founder, Dr. Steven Goldfarb, CERN physicist; Shane Wood, Quarknet Staff; Dr. Nicole Lloyd-Ronning, Los ALamos National Laboratory; Dr. Greg Cajete, Author/Native Science Specialist; Steve Tamayo, Lakota Cultural Specialist; Megan Avina Bowers, Teacher; Dr. Catarina Pombo Nabais, Philosophy of Science/SAP Lab
Contact us to coordinate a Projecting Particles workshop for middle and high school age students at your school, festival or event.